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Wolf Hall
Cover of Wolf Hall
Wolf Hall
Wolf Hall Trilogy, Book 1
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In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political power

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.

Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.

In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political power

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king's freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum.

Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.

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  • Available:
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Levels-
  • ATOS:
    5.6
  • Lexile:
  • Interest Level:
    UG
  • Text Difficulty:
    4

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Awards-
Excerpts-
  • Copyright 2009 by Hilary Mantel

WOLF HALL (Chapter 1)

Across the Narrow Sea

PUTNEY, 1500

So now get up."

Felled, dazed, silent, he has fallen; knocked full length on the cobbles of the yard. His head turns sideways; his eyes are turned toward the gate, as if someone might arrive to help him out. One blow, properly placed, could kill him now.

Blood from the gash on his head--which was his father's first effort--is trickling across his face. Add to this, his left eye is blinded; but if he squints sideways, with his right eye he can see that the stitching of his father's boot is unraveling. The twine has sprung clear of the leather, and a hard knot in it has caught his eyebrow and opened another cut.

"So now get up!" Walter is roaring down at him, working out where to kick him next. He lifts his head an inch or two, and moves forward, on his belly, trying to do it without exposing his hands, on which Walter enjoys stamping. "What are you, an eel?" his parent asks. He trots backward, gathers pace, and aims another kick.

It knocks the last breath out of him; he thinks it may be his last. His forehead returns to the ground; he lies waiting, for Walter to jump on him. The dog, Bella, is barking, shut away in an outhouse. I'll miss my dog, he thinks. The yard smells of beer and blood. Someone is shouting, down on the riverbank. Nothing hurts, or perhaps it's that everything hurts, because there is no separate pain that he can pick out. But the cold strikes him, just in one place: just through his cheekbone as it rests on the cobbles.

"Look now, look now," Walter bellows. He hops on one foot, as if he's dancing. "Look what I've done. Burst my boot, kicking your head."

Inch by inch. Inch by inch forward. Never mind if he calls you an eel or a worm or a snake. Head down, don't provoke him. His nose is clotted with blood and he has to open his mouth to breathe. His father's momentary distraction at the loss of his good boot allows him the leisure to vomit. "That's right," Walter yells. "Spew everywhere." Spew everywhere, on my good cobbles. "Come on, boy, get up. Let's see you get up. By the blood of creeping Christ, stand on your feet."

Creeping Christ? he thinks. What does he mean? His head turns sideways, his hair rests in his own vomit, the dog barks, Walter roars, and bells peal out across the water. He feels a sensation of movement, as if the filthy ground has become the Thames. It gives and sways beneath him; he lets out his breath, one great final gasp. You've done it this time, a voice tells Walter. But he closes his ears, or God closes them for him. He is pulled downstream, on a deep black tide.

The next thing he knows, it is almost noon, and he is propped in the doorway of Pegasus the Flying Horse. His sister Kat is coming from the kitchen with a rack of hot pies in her hands. When she sees him she almost drops them. Her mouth opens in astonishment. "Look at you!"

"Kat, don't shout, it hurts me."

She bawls for her husband: "Morgan Williams!" She rotates on the spot, eyes wild, face flushed from the oven's heat. "Take this tray, body of God, where are you all?"

He is shivering from head to foot, exactly like Bella did when she fell off the boat that time.

A girl runs in. "The master's gone to town."

"I know that, fool." The sight of her brother had panicked the knowledge out of her. She thrusts the tray at the girl. "If you leave them where the cats can get at them, I'll box your ears till you see stars." Her hands empty, she clasps them for a moment in violent prayer. "Fighting again, or was it your father?"

Yes, he says, vigorously nodding, making his nose drop gouts of blood: yes, he indicates himself, as if to...

About the Author-
  • Hilary Mantel is the two-time winner of the Man Booker Prize for her best-selling novels, Wolf Hall, and its sequel, Bring Up the Bodies. The final novel of the Wolf Hall Trilogy, The Mirror & the Light, debuted at #1 on the New York Times bestseller list and won critical acclaim around the globe. Mantel is the author of over a dozen books, including A Place of Greater Safety, Beyond Black, and the memoir Giving Up the Ghost. In 2014 she was appointed Commander of the Order of the British Empire.
Reviews-
  • Publisher's Weekly

    Starred review from January 25, 2010
    Set aside a full day to savor Simon Slater’s delightful reading of the Booker Prize–winning tale of Henry VIII’s court, seen through the eyes of his adviser Thomas Cromwell. Mantel’s revisionist take turns Cromwell—so frequently vilified as in A Man for All Seasons
    —into a modern sort of hero, shrewd and adaptable. Slater’s narration is nuanced and precise; he breathes feeling and subtle shades of emotion into every exchange of dialogue. His is a heroic undertaking, and he does admirable justice to Mantel’s lucid prose and juicy plot. A Holt hardcover (Reviews, Aug. 17).

  • Publisher's Weekly

    August 17, 2009
    Henry VIII's challenge to the church's power with his desire to divorce his queen and marry Anne Boleyn set off a tidal wave of religious, political and societal turmoil that reverberated throughout 16th-century Europe. Mantel boldly attempts to capture the sweeping internecine machinations of the times from the perspective of Thomas Cromwell, the lowborn man who became one of Henry's closest advisers. Cromwell's actual beginnings are historically ambiguous, and Mantel admirably fills in the blanks, portraying Cromwell as an oft-beaten son who fled his father's home, fought for the French, studied law and was fluent in French, Latin and Italian. Mixing fiction with fact, Mantel captures the atmosphere of the times and brings to life the important players: Henry VIII; his wife, Katherine of Aragon; the bewitching Boleyn sisters; and the difficult Thomas More, who opposes the king. Unfortunately, Mantel also includes a distracting abundance of dizzying detail and Henry's all too voluminous political defeats and triumphs, which overshadows the more winning story of Cromwell and his influence on the events that led to the creation of the Church of England.

  • Stephen Greenblatt, The New York Review of Books

    "Hilary Mantel's Wolf Hall is a startling achievement, a brilliant historical novel focused on the rise to power of a figure exceedingly unlikely, on the face of things, to arouse any sympathy at all . . . . This is a novel too in which nothing is wasted, and nothing completely disappears."

  • Christopher Hitchens, The Atlantic "On the origins of this once-world-shaking combat, with its still-vivid acerbity and cruelty, Hilary Mantel has written a historical novel of quite astonishing power. . . . With breathtaking subtlety--one quite ceases to notice the way in which she takes on the most intimate male habits of thought and speech--Mantel gives us a Henry who is sexually pathetic, and who needs a very down-to-earth counselor. . . . The means by which Mantel grounds and anchors her action so convincingly in the time she describes, while drawing so easily upon the past and hinting so indirectly at the future, put her in the very first rank of historical novelists. . . . Wolf Hall is a magnificent service to the language and literature whose early emancipation it depicts and also, in its demystifying of one of history's wickedest men, a service to the justice that Josephine Tey first demanded in The Daughter of Time."
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